Alan N. Shapiro, Hypermodernism, Hyperreality, Posthumanism

Blog and project archive about media theory, science fiction theory, and creative coding

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Star Trek: Technologies of Disappearance, by Alan N. Shapiro

July 29th, 2010 in the categories: Book Descriptions, Media Studies, Science & Technology, Science Fiction Studies, Star Trek

In his lengthy review-essay of "Star Trek: Technologies of Disappearance" in "Science Fiction Studies", coeditor Istvan Csicsery-Ronay, Jr. remarks: "Shapiro’s study of Star Trek is one of the most original works of sf-theory since Scott Bukatman’s 'Terminal Identity' (1993)."
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Baudrillard’s Second Life, by René Capovin

July 22nd, 2010 in the categories: Jean Baudrillard, Media Studies

Baudrillard's appropriation of McLuhan's formula "the medium is the message" comes to be understood in the light of this radical critique of the media, recognized as an instance of making people passive. The Canadian scholar saw here liberatory possibilities, summed up in the noted image of the "global village."
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“Twelve Monkeys” (film), by Alan N. Shapiro

April 13th, 2010 in the categories: Media Studies, Science Fiction Studies, Time Travel

Terry Gilliam’s brilliant film "Twelve Monkeys" raises critical questions about the linear nature of time and the causality of science. Möbius time travel will provide a fruitful tool for getting out of the hyperreality and myth of the end of history which surround us in modern culture.
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“Groundhog Day” (film), by Alan N. Shapiro

April 13th, 2010 in the categories: Media Studies, Time Travel

"Groundhog Day" is fascinating because it is time travel without a single history book adventure, science fiction without a single technological device, and the triumphant reign of the computer program without a single computer.
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“Desperate Living” (film): John Waters’ Science Fiction Dystopia, by Alan N. Shapiro

April 13th, 2010 in the categories: Media Studies, Polysexuality, Science Fiction Studies

Maybe it was the mono sound of my budget-priced video recorder, which the salesperson at Saturn Hansa had dubbed the 'Trabant' (der Trabi, das Symbol eines verschwundenen Landes, the symbol of a disappeared country, hat heute längst Kultstatus erreicht, has long since attained cult status) of VCRs.
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“Jurassic Park” (film): Newman Eaten by a Dilophosaurus, by Alan N. Shapiro

April 13th, 2010 in the categories: Arts & Genomics, Media Studies, Science Fiction Studies

Steven Spielberg's stated goal for the film "Jurassic Park" (1993) is to achieve what he calls "total realism." He wants to make cinema coincide with the real. This is a symptomatic fantasy that Jean Baudrillard diagnoses in "The Evil Demon of Images" as "cinema attempting to abolish itself in the absolute of reality."
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